bins congregate sloppily under bright green overhang

green mesh moire-s behind construction fence, untethered at one corner

hoardings hold back a flood of waiting room chairs, gappy teeth evoked by shades of grey

fences lean together, tethered

spring shoots compete with crumbling brick and corrguated iron

floodlit fence against chipboard and foliage. purple and yellow interventions throughout

square reflections on brick wall with lilac underwriting

blue boards swell with age as leaves reclaim the edges. red shards litter the floor

mismatched jutting boards entwined with leafy scaffold

pedestrian access faded in the sun, gabions swell into the verge

chain link supports block caps EXIT ONLY. grubby concrete lays behind

grimy trailer curves into the distance, rusty hitch protruding. bee striped bollard front and centre

gridded windows jut from beige frontage. signage peeled to reveal unpainted board

ribbed rounded roof edge against overcast sky. exposed LED impotent signage over dark frontage

closed shop frontage with grate and white-out windows. rotting skirting adorned with GLENSHEE

discarded tree branches coalesce in a corner. well-pointed stone forms the backdrop

bulbous brick juts over pathway with harsh cutout to the left. orange sunlight reflected bathes the scene

shutters meet at a point, sun hits one side. loose cables drip over sandy stone

blue sky above evoked by blue van, silver spray clouds covers golden hour stone frontage. windows reflect true blue

dappled sunlight reflects onto block of flats, blue sky behind. the ground is wet and partially pedestrianised

a resilient squirt, graffiti once powerwashed on mossy wall. clean frame for renewal

red square frame with pressed-against leaves. deep blue sky in rear. four-point latch system

convex mirror, primary colours. asbestos panelling throughout, bisected

grids on grids. brick wall, soft light unifies

glass corner, complex intersection. panels and panels and panels and column

light pink brick with glass brick window. sunlight and soft shadows glinting off floodlight above. grate in ceiling

three red doors in a pink brick wall, corresponding round lights adorning. cutting shadow, blue warning signs

two halves of a whole. fresh red and white on the right, grubby remnants to the left. neatly bisected

pastel pink building with shocking green bush, folded and twisting ramp with metal railing

light falls over door handle, outdoors. black shiny door, red brick wall, white doorframe bisects substantially

shadows of trees on a textured exterior wall, yellow sunset echoes in double yellow lines. one window

light crossing the pavement, hitting a beam (with holes). construction site behind

fallen sign reading ‘footway closed’ by grass bank, directing pedestrians into the void

a yellow wall behind wire fence. scaffolding adorns it, as does graffiti. light casts shadows across

orange sunlight falls on yellow shutter, close perspective. blue shutter to right

an industrial corner with a white door, an open cage over it. red brick and white painted

moody brown fence, blue peering through foliage

glow from outside through corporate blinds, falls on executive desk

yellow foam scaffold with white netting, over cream and grey wall. a solitary traffic cone

brown brick building with green shutters and doors. to the right is a red biffa bin, and above the door (which is ajar) a sign with red paint saying MARKET ROW DINER OPEN

red ribbed box which reads LA POSTE on the bottom (embossed) in front of stone wall with ivy to the left

charred and blackened doors of bordeaux city hall. letter taped to the door with black and yellow hazard tape on railings in front

dark green shop front with white air conditioner propped in window. to the right, downed metal shutters. in front, black railing with bike (locked), red and white hazard tape entwined

stone street, aged and dirty. two windows with iron railings, under each is a panel with a blobby, blushy, chalk creature

guest post by Gem white slats with thin horizontal windows at top. glowy orange light with deep blue shadows. squares of dark grey, as if something that was written there has been painted over

double doors in the middle, single to left and right. murky cloud remnants of previous spraypaint

ripped and illegible sign glued to stone wall, with discarded sign advertising something to do with tours (in french) laying below it. the colours from the sign are picked out in the other sign

cork noticeboard on stone block wall above metal bin

green spraypaint on pebbledash wall reads PARL. small window to the left with swirled iron and white sill

aligned lit signs. yellow diamond PRESSE (cooper black) over red diamond (stretched, blank) over FRANCAIS DES JEUX LOTO (blue rectangle)

guest post by Gem stone brick wall at sunsight, orange sunlight. green plant exploding from the top of the wall. behind, the sky is blue with unlit streetlight. CCTV camera to the top left, red circle street sign below

cloudy rubbed out graffiti on white plastic board with vertical joins. the rubbed out graffiti was in black and is darker in the joins of the plastic

under a staircase with stone tile floor and concrete slanted roof. to the left is the end of a curved metal railing, to the right a black wooden slatted bench with rolled edges. nestled between ceiling, floor and bench is an amorphous shape, covered in fragments of shiny black mosaic

across a train carriage, looking at foldable sideways seats. red handrail above. out of the window – mountains and dense trees (which look really small because the train is high up). window is sprayed purple and green, obscuring the bottom edge

pavement next to square drain and wall, white swirls on pavement with red background

street corner with small red paved path. building behind clad with black wood and white wall above. in front, two no entry signs in conversation

window with wooden trellis making lots of diamond shapes. the sun casts shadows in the shape of the trellis on the wall behind. a shadow of a pole falls on the right of the frame, and a shadow of an unknown object at the right of the image

concrete barricade in car park with green and blue JASCO sprayed on top of older unintelligible black. chain link fence in the back and a dirt and grass bank

a kerb in the rain, falling. red sprayed INTERNET to the rear, yellow triangles on the ground

three signs on a dirty stone wall, with horizontal gaps between the signs, separating them

two doors in a beige stone wall. blue and red and black spraypaint covers the doors, washed off the wall between

road signs lent against an electricity box. there is foliage behind them shining green in the night

green chalkboard on distressed white fence. white and lime green tags cover the board, KING STREET NEIGHBOURS peeks out from behind

concrete overhanging roof in golden hour with circle cutout and foreground tree

a door cut into metal, half wood and half shiny black, padlocked shut. rough concrete road in front, with one small plant peeking through

empty frame intersects with long grass, office block front lawn

grass verge zig-zagged with soft, muddy tire tracks

metal door painted white, dramatic peeling in blobby shapes

rotting aftermath now revealed, panelling shreds in the light

ladder reaches up against bright orange wall, itself against green roof and blue sky

five of a kind, wall-mounted silver boxes. backed with orange, door to the left

stacked scaffold, ladders, planks, hiding in the corner. green roof jauntily atop orange wall, foliage in foreground

white framed window in tumber build, steps in foreground. parallel pipes

assorted openings in wooden wall, cables trailing across

shadowed wooden wall with irregular planks and reappropriated doors, stained glass and trail of cable adorn

discarded spools accumulate grime, monochromatic dusty brown scene

open to the elements, door at base. wooden structure, seemingly improvised

purple slumped over wooden frame, yellow door. blue grubby mat straddles the step

black frame in white wall with motion sensor light above. thick bush to the fore extends upwards

orange corner with sharp black trim, gravel step as grey doormat

door with hole, missing plank gestures towards in a beckoning gesture

vertical lines, dark brown left edge glass pane to the right. peek through the blinds

indoor/outdoor energy, glass pane to the left, black brick to the right. the floor is wooden

whited out window in black framed door, crinkled paper. black panelling over shocking orange

red chair, metal bars guards wood and glass door. concrete ramp to the rear

green bin under window with giant castors. black, sleek, brick to the rear

yellow and blue hoses tangle like snakes on a thin dusting of concrete and grass

blue corner encroaches on red brick, itself encroached upon by silver and black tags

fence threaded behind brick pillar, sun hits paving slabs evenly

big pink TRAMS on faded wooden door, Norwich St Marks Bowls

ornate red brick with soft dappled sunlight, mossy heading. white swirl framed by brick indent features

black brick with white mortar, clouded with tags on tags. light blue YAZ front and centre

rows of windows reflect in infinite plane

warm red brick in patchwork shades, black spray tag swirls through. wet

windows, some ajar in tan brick plane. building behond shadowed, chimneys

dark wooden door in aged stone block wall, sunlight raking from left

dark green shopfront, reflected sun hitting burglar alarm

LONDON GULL scrawled on scrawls in pastel rainbow, rotting wall just about supporting

NO PARKING WARNING PRIVATE PROPERTY sunlight makes a splodgy transgression

blue echoes blue on spiked fence, smooth opaque lines over flimsy smooth grid

sash windows decay over falling frontage, grey pole interjects

shaded courtyard expands into light, plants bursting through

brick wall, square sunlight as though piece of paper draped in the crevice

thick blue swipe, freshly applied, across glass and wooden frame

worn through red paint on vertiginous metal stairs, in the trees

SUB STATION NO 12 red and white walls with grates semi-symmetrical brown door cuts into white just about

scrubbed white windows opaque to the sun, incline just noticeable

if you look closely, you can see it says ‘We sell patties’

empty platform with globe lights, curving ceiling and parallel tiles. reflections abound in the gloom

blacked out signage says nothing, loudly

drop ceiling peters out, revealing 312n HILLS HILLS

CRACK scrawled on black chin, pink painted stippled wall above

three grey bins then a green with opposing lids. yellow B N G BNG ONE sprayed on

white bars inset in red brick wall. white downpipe to right

white floaty swirls as if writing on red painted wall. black iron fence up against it

heavy chain bars entry to beige wooden wall. green tag in a shaft of sun

sliced sunset casts golden light as roof above mirrors

orange cones stand guard, holding hands with ticker tape. empty lot plays host

pink light hits angular roof, corner on. blue glass sits snug between concrete pillars with teal roof garde

brushed white wall with sprayed cat peeking out from behind long grass. blue painted yos

black on black on red brick

wipe-clean steel frame sticky with residue. hazard taped bin and grey frontage above

brown paper crumpled against glass, dark wooden frame in white wall

cutout peeks from basement window. blue USK on beige brown wall

blossom on grate in rain next to grey marble steps

moss seeps up beige wall with blue and black spray

cubicles conflict with metres high sash windows. doors open exposes skeletal frame

red and white glow of Fahrschule Freaky Drive! parking ist verboten

3D analogue to 2D representation BASSHUNTER DJING 2NITE

board with no message. white and grey

blank space between www. and .co.uk in reflected feet

light shines through translucent sheet with cards in each pocket. screen covered in post-its glows in the dark

black box with striking white scrawls on orange brick wall

fence bows outward in colourful landscape, down deep at the bottom

vent in wood in frame in concrete in block in wall on corner (in brown)

behind the scenes in bubble writing, red and white against blue sky

bleached fence atop half-wall behind council-green box. everything sandblasted

sign floating in an archway on a bed of ivy, saying nothing loudly

words fly in the wind in full sun

stone wall carved and recessed, green and black spray in an alcove

blue and red mirrored boxes melt into just-as-blue sky

frosted glass at night, the first day of nothing normal

shadows of what was on garage door, nested with more of the same

boarded up stationer’s office, light surveillance. rainbow of decay

faded, boarded up, glowing orange bulb hangs heavy in the foreground

yellow-green wall cradled in foliage and blanketed in paint

brown fence rectangle mirrors green box rectangle. street furniture

temporary cover and more white dust on brick

yellow wall sprayed white brown metal grate and a NEOCREW

smogged up glass against curved tile wall, saying nothing

Dry riser (flames) D R Y R I S E R

bright orange over green grass, barricade against barricade

backwards, five times, five signs below

green tiles, green vines, black pipes

wall, court, fence, electricity box, all covered (within reach)

this structure is being reclaimed by vines and the natural creep of tags which accompanies it

glass barrier close up. reflected square

blue signature on white box

pink admonishments strike through on grey plane

green door partial, paint skinned with cleaning and repainting, orange fence in front

blue sign (empty)

face spraypainted on fancy blocks over ridge and crevasse

wet floor cones guard their absorbent corner

lonely grey POWER over brown tape on metal

red arrow points left as norwich recycles itself

glass roof panels reflect clinical edges

VISITING BELLRINGERS on March 9th and 12th, no other news

bin towards an underpass, every surface covered as is the way of things

entirely wooden room set up for solo drum

lo res pole hit just right by the light

photobooth feat knees

roof and levels and roof and light and light and gutter (green stripes)

twin phone booths boasting coins & cards

layers on layers. one way!

yellow fences hold each other, dwarfed by the building behind

capturing the self in a dark corner. red handrail crosses

metal grate (wet riser)

murky water swallows a B

IHIPINII-NE-BLID on the frame, green, purple, pink, black and white centre stage

corroded spray on interior doors gets down to the metal

red box floats, adorned with Pea Meeps

fluffy clouds caught in the setting sun, courts behind wall

stacked paving slabs watch over the hole they covered, discarded umbrella like dead spider. red NCC barrier segregates

man fights with umbrella in wind storm on warning sign

white mortar like bleached teeth breaks up brown brick uniformity. red door sporting silver bubble props up black corrugated overhead

green scrawls on irregular grey and tan brick wall

brown glass in curved metal frame teases against grey sky

ERIK swirls on grey electricity box

train bathroom light reflects in boldly scratched mirror

stripped billboards shout nothing loudly across railway line

yellow and grey and washed out blue in a building, and a bridge, and a train, abstracted with a crop

escalator tunnel wall is stripped of its protective coating. fluorescent diagonal

grey electricity box against black fence splitting park from path

black boxes lining the street with white nd red spray covering the larger of ther two. the wall shouts SUPERB

blank sign on brick softened with rain, sage green stripe pulls out the green tones in the mortar

red and white scaffold stabs into wooden hoarding, over and over

yellow glow spills out of parking structure after dark, stairs rising internally

grates like gills with irregular fins and a light green-blue window twice the height. understated fire exit

platform edge flattens

internal beam stretches across dizzying perspective

old wall sits heavy across train tracks

sunset peeks in train window, warm light contrasting with cool internal beams

ivy spills out over multi-layered mossy wall

red pops on dark green street furniture next to thin vertical panes

more than half blue sky, sun hits top floors with fallen panel, held together in a plastic sheet

broken double yellows cross crossing round rounded bumpy tiles

brake light curves into frame, reflecting on barricade

lonely fire exit sign drips from the ceiling, all metal poles and white walls. dark outside

white paint snakes from alley to crossing, splattering vividly

gold frame rests around spray of creeping plant life

abandoned road glows purple as plants break through the cracks

blue light floats behind reaching silhouette

slatted blinds over panes of glass, orange rectangular sunlight intrudes from top left

deep blue encroaches from skylight, bordered by fluorescent lights and neon green walls

lens glare glows over cubicle door

full coach backed by red truck on blue sky

red light washes over coach ceiling punctuated by blue pulses down the aisle

cream brick corner with drop ceiling. row of windows

fence on wall backed by deep blue sky

offset grate, adorned

view across the aisle with green trees outside, top deck. thoroughly littered

beige carpet vertigo

wet canine jaw with white tooth

cherry blossom on dirt and grass

soft pink light on evening bus, yellow handles and teal pole

thin windows let in a sliver of blue sky

abandoned block of flats with scaffolding and graffiti behind red brick walls

white cube room filled with oil

stark white feathers rest on black card

NO PARKING sign on chain link fence, reinforcing red brick wall

screenshot with maximum depth, yellow and black warning tape blowing in the wind

blue off-square rectangle

three and three, thin windows and thin lights

plastic hedge has been punched through, betraying hollow interior

light through a doorway, lit pink from behind

pair of pairs on street grate

LIVE LIKE YOU ARE DYING blue spray captured in transit in grubby off-white subway

aged plastic viewfinder looks onto search results

sunbleached coach overlooking multi-levelled buildings

oval cutout allows wet ingress. three pillars in a row

yard with patchy grass diagonally intersected by pole, suspended on washing line

a pair of silhouetted pigeons on dirty tarp

DAVID BOWIE in drippy white paint over pink and red in bus shelter

woodland path trails off towards distant goal

six panes in silhouette, trailing vines outside